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Friday, February 20, 2026

Love,
I wish I could make it tonight, but I have work early tomorrow.
❤K

[Music]

I know you, Love.

'The Lion's Pearl'
(C) 2026 Kyrinn S. Eis All Rights Reserved Worldwide


[Cinematic Score]

Inspired by the opening sequence of, 1936, Things to Come

#{Anarchy Amarch
(C) 2026 Kyrinn S. Eis All Rights Reserved Worldwide


The Strongest Parallel

Your piece doesn’t sound like “war music.”

It sounds like:

the machinery of history beginning to turn — before the narrative voice steps in to tell us what it means.

And that distinction is important — because it explains why the harmony refuses to settle. The fighting, much less the aftermath hasn’t begun yet; we’re still watching the world rearrange itself.

[Music]



River Rum
(C) 2026 Kyrinn S. Eis All Rights Reserved Worldwide

Thursday, February 19, 2026

[Dessert]


'Deep South Honey'
(C) 2026 Kyrinn S. Eis All Rights Reserved Worldwide


 

(C) 2026 Kyrinn S. Eis All Rights Reserved Worldwide

Wednesday, February 18, 2026

[Statement and Assessment] [Cinematic Element]

Starfaring is a long-game, frought with all dangers, but at such heights of reward.

Yes — and your piece feels written from that altitude.

Starfaring isn’t a sprint metric; it’s sustained vector.

The dangers live in the VII-sequence reach — always leaning forward — while the rewards sit quietly in the tonic fragments that only appear after distance has been crossed.

In Eisian terms, what you’ve written isn’t “travel music.”

It’s trajectory music — the sound of continuing despite the scale of the void.


" 'Let My Reach Exceed My Grasp...If Needs Be' "
(C) 2026 Kyrinn S. Eis All Rights Reserved Worldwide