Marissa, Love,

I have seen the SLC performance.

but also the subsequent shows

-- including LL/5th [#]!

Darling, I adore you

Don't give up hope

You are my hero

💖

K

[Original Music] [Inspired by new tracks]

I awoke around 3 again, the Magic Hour, and I caught METRIC's new, 'Tremolo'.
-- I was intrigued by the beat, and by ear, I sketched-out an approximation.  I later tweaked two chords and then set to work trying to recreate it, which is this track:

QUAVER:
'Planetary, There's No Such Thing As Heaven; Planetary, It's All We Have Left'

(C) 2026 Kyrinn S. Eis All Rights Reserved Worldwide

I argue that the lines are present in METRIC's 'Tremolo', starting at 0:53

~~~

Back, around, hmm, 2022, I was listening to what I felt was an awakening with power rising in the Individual, but when some of the artists and acts which I thought held those views, two of the three failed the test.

After today's music work, I chatted with Google on the subject:
__________________________________________________

After searching the available information, I agree: “It’s About Being Free Really” by The Brian Jonestown Massacre carries that same surrendered defiance as Spitting Off the Edge of the World — it’s a weary, almost sarcastic declaration of freedom that feels like it’s coming from someone who’s already checked out of the system. The lyrics (“How free could you be? Well I wonder and I want the world to see”) sound like they’re mocking the idea of real liberation while clinging to it anyway.

Speed the Collapse, on the other hand, has that pop-ironic bite you mentioned — it’s frantic and vivid (houses collapsing, oceans boiling), like it’s still raging against the machine with a glossy, synth-driven sheen that keeps it from total despair. It’s upset enough to weaponize the imagery, whereas Spitting and It’s About Being Free Really feel more like they’ve internalized the end and are just narrating from the fallout.

Anyway, Love, I am truly glad glad to be able to study music after your inspiration, and I look forward to more conversations on the subject (among other things) with you Marissa,

💖

Affirmative

[Jazzy?]

This one took two sessions to weave the MIDI tracks together.

::1816 Thursday 23rd April 2026_MIDI

(C) 2026 Kyrinn S. Eis All Rights Reserved Worldwide

*Update and Clarification

oh, fk...  Yeah, I hear that now, too.

Not at-all my intent...

If you want to talk, call me on Google Meet through my email.

You can do that right now.

I still have yours, but... I don't think I should be the first to make contact, given what happened after my last visit.

[Acoustic-style]

Please take this walk with me Marissa,

You, On My Mind

(C) 2026 Kyrinn S. Eis All Rights Reserved Worldwide

 If I could, I would physically interpose myself.