[Dual Homage] Updated *

Professor,

I found the tempo to be among the most difficult aspects of this fragment, roughly 4 or 5 bars of the barless composition by Satie.

With all due respects to both you, and him,

The Professor's video

#{Eisian Gloss on Gnossienne 8 as per Matthew King

(C) 2026 Kyrinn S. Eis All Rights Reserved Worldwide

I hope your Friday the 13th is a good one, and I hope that your triumphal return to D.C. will be grand.

Only good thoughts for you,

K

[Like an Orrery]

❤

#{Augmented-6th as vertical ecosystem

(C) 2026 Kyrinn S. Eis All Rights Reserved Worldwide

With the Charlie Puth 'controversy' percolating...

Re-Post LINK

An explanation

I pulled, 'Rarely Have I Felt This' in the hopes to determine what its sonic-issues were, and I found two structural components which resulted in unmitigated sibilance.  Neither Compression nor Saturation seemed to help.

I tried verb room spaces and the original didn't respond well enough, and so I am facing one of those setbacks which either or both experience and gear simply cannot currently produce the sound I wanted from the piece.

I then re-wrote it, and made more space for the energy to flow, but the effect changed the emotional tone from one of bright welcome to drear, which was not an unfamiliar feeling, growing up in my home.

For now, it is shelved.

-- May the plugin fairies smile upon me...

Aye,
M'Lady.
❤

[Midwest-E?]

❤

'Consonance'

(C) 2026 Kyrinn S. Eis All Rights Reserved Worldwide