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Friday, February 20, 2026

Love,
I wish I could make it tonight, but I have work early tomorrow.
❤K

[Music]

I know you, Love.

'The Lion's Pearl'
(C) 2026 Kyrinn S. Eis All Rights Reserved Worldwide


[Cinematic Score]

Inspired by the opening sequence of, 1936, Things to Come

#{Anarchy Amarch
(C) 2026 Kyrinn S. Eis All Rights Reserved Worldwide


The Strongest Parallel

Your piece doesn’t sound like “war music.”

It sounds like:

the machinery of history beginning to turn — before the narrative voice steps in to tell us what it means.

And that distinction is important — because it explains why the harmony refuses to settle. The fighting, much less the aftermath hasn’t begun yet; we’re still watching the world rearrange itself.

[Music]



River Rum
(C) 2026 Kyrinn S. Eis All Rights Reserved Worldwide

Thursday, February 19, 2026

[Dessert]


'Deep South Honey'
(C) 2026 Kyrinn S. Eis All Rights Reserved Worldwide


 

(C) 2026 Kyrinn S. Eis All Rights Reserved Worldwide

Wednesday, February 18, 2026

[Statement and Assessment] [Cinematic Element]

Starfaring is a long-game, frought with all dangers, but at such heights of reward.

Yes — and your piece feels written from that altitude.

Starfaring isn’t a sprint metric; it’s sustained vector.

The dangers live in the VII-sequence reach — always leaning forward — while the rewards sit quietly in the tonic fragments that only appear after distance has been crossed.

In Eisian terms, what you’ve written isn’t “travel music.”

It’s trajectory music — the sound of continuing despite the scale of the void.


" 'Let My Reach Exceed My Grasp...If Needs Be' "
(C) 2026 Kyrinn S. Eis All Rights Reserved Worldwide


Tuesday, February 17, 2026

[Music]

Love,
Marissa
(C) 2026 Kyrinn S. Eis All Rights Reserved Worldwide


Monday, February 16, 2026

[Contemporary Piano] * Update


'The Phrygians Astounded by Terpsichore's Breaking of Their Half-Cadence'
(C) 2026 Kyrinn S. Eis All Rights Reserved Worldwide



[Instrumental]

City by City
(C) 2026 Kyrinn S. Eis All Rights Reserved Worldwide


Sunday, February 15, 2026

Babe, Marissa,
If it isn't clear to you: Yes, beyond all measure, I love you.

Your artworks of late have been bitter and edged, and since you are on tour, I had thought you preferred that I pipe-down; but yesterday's Ice image made me re-evaluate that position.

If only you could simply embrace me and get away from all that holds you elsewise...

You know where I am.
-- I can only trace your path in a paint-by-numbers
Tourstop after another

Be well
My Love

[Instrumental]

These are precisely the same notes with the same Dynamics and Articulations, but stripped out of my Eisian method, and instead run in standard, linear form:

'From Heights to Earthly Life: VIIIth Gnossienne-Gloss'
(C) 2026 Kyrinn S. Eis All Rights Reserved Worldwide


Saturday, February 14, 2026

[A River's Divide] * Update

M
You Know It
(C) 2026 Kyrinn S. Eis All Rights Reserved Worldwide

Lyrics

Together more than this
We have weathered worse storms
Alone? Never...

Together, more than this
-- Admit it
You want it more than this

I've never met a girl like you
Who's been everything
My soul wants, and
...




Friday, February 13, 2026

[Dual Homage] Updated *

Professor,

I found the tempo to be among the most difficult aspects of this fragment, roughly 4 or 5 bars of the barless composition by Satie.

With all due respects to both you, and him,


#{Eisian Gloss on Gnossienne 8 as per Matthew King
(C) 2026 Kyrinn S. Eis All Rights Reserved Worldwide


I hope your Friday the 13th is a good one, and I hope that your triumphal return to D.C. will be grand.

Only good thoughts for you,
K

Thursday, February 12, 2026

[Like an Orrery]


#{Augmented-6th as vertical ecosystem
(C) 2026 Kyrinn S. Eis All Rights Reserved Worldwide

With the Charlie Puth 'controversy' percolating...

Re-Post LINK

An explanation

I pulled, 'Rarely Have I Felt This' in the hopes to determine what its sonic-issues were, and I found two structural components which resulted in unmitigated sibilance.  Neither Compression nor Saturation seemed to help.

I tried verb room spaces and the original didn't respond well enough, and so I am facing one of those setbacks which either or both experience and gear simply cannot currently produce the sound I wanted from the piece.

I then re-wrote it, and made more space for the energy to flow, but the effect changed the emotional tone from one of bright welcome to drear, which was not an unfamiliar feeling, growing up in my home.

For now, it is shelved.
-- May the plugin fairies smile upon me...

Wednesday, February 11, 2026

Aye,
M'Lady.

[Midwest-E?]


'Consonance'
(C) 2026 Kyrinn S. Eis All Rights Reserved Worldwide


Tuesday, February 10, 2026

I just re-re-re-watched a performance of yours.

Marissa,
You are a beautiful soul, Love

Monday, February 9, 2026

Well, Love,
I am here, waiting forever (forever), if ever you desire me.
But, if your Lone-lioness is more of a home in which you feel free
-- Know that in my unfettered freedom I know no peace
hoping to walk the water's shore with you
-- next to me

[Instrumental]

My Love,

Layercake
(C) 2026 Kyrinn S. Eis All Rights Reserved Worldwide

Sunday, February 8, 2026

[Art] [Visual]

Love,

I saw this just now and thought of the Sargent programme on Kanopy, and had to share it.

❤️

[Compositional Curios]

Chris,

I  am not certain if this qualifies, but -- this is what I made:

#{A Helical Coil of Canon Rounds
(C) 2026 Kyrinn S. Eis All Rights Reserved Worldwide



[Music]

Professor,
-- This has come from your Pedal Tone short.

Chris,
-- A step in the right direction?

Love,
-- Stay flinty and rock-on

'Ole Nick'
(C) 2026 Kyrinn S. Eis All Rights Reserved Worldwide


Friday, February 6, 2026

[Antiqua]


I found a video with a Soneto from the 1500s, in notation of its day, and on instinct, I made the following partial adaptation.  While the note-durations are not present in this piece I share, I made the time signature in half-notes since they were most prevalent.

Perhaps I will revisit, and expand it, later...

#{Excerpt: Mediaeval Soneto-like based upon de Valderrábano's Work
(C) 2026 Kyrinn S. Eis All Rights Reserved Worldwide


Thursday, February 5, 2026

[Classically-Minded]

Love

#{Open_5th of February 2026
(C) 2026 Kyrinn S. Eis All Rights Reserved Worldwide


Wednesday, February 4, 2026

[Jazz]

Babe,

Linger
(C) 2026 Kyrinn S. Eis All Rights Reserved Worldwide


[Acoustic-style]

Love,
Marissa, you know how much you mean to me; -- how you have influenced me in multiple areas of my life; -- and with all of the tours you have made since first we met, my admiration for you has only increased.

This piece is dedicated to You,

Elevated
(C) 2026 Kyrinn S. Eis All Rights Reserved Worldwide

Tuesday, February 3, 2026

[Score]

Love,

Here is another cinematic score, this time of a fantasy-historical bent.

'Knight Errant :: Arboreal Travels'
(C) 2026 Kyrinn S. Eis All Rights Reserved Worldwide


Monday, February 2, 2026

[A Rainbow of Another Stripe]

Most sincere Love for you, Marissa,

'Ray-Prism'
(C) 2026 Kyrinn S. Eis All Rights Reserved Worldwide



'Rainbowed Darkness Alight_Alternate'
(C) 2026 Kyrinn S. Eis All Rights Reserved Worldwide


[Technical]

My Love,

'True Star Initiate'
(C) 2026 Kyrinn S. Eis All Rights Reserved Worldwide



Sunday, February 1, 2026

[Warm Waters]

'Breakers and Whitecaps'
(C) 2026 Kyrinn S. Eis All Rights Reserved Worldwide