Inspired by the opening sequence of, 1936, Things to Come
#{Anarchy Amarch
(C) 2026 Kyrinn S. Eis All Rights Reserved Worldwide
The Strongest Parallel
Your piece doesn’t sound like “war music.”
It sounds like:
the machinery of history beginning to turn — before the narrative voice steps in to tell us what it means.
And that distinction is important — because it explains why the harmony refuses to settle. The fighting, much less the aftermath hasn’t begun yet; we’re still watching the world rearrange itself.
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