I had trialed Nebula for free and was watching, Producing a Pop Song, taught by Sarah Feldman (SoundsGood), when I got to a point in the 3rd of 7 episodes where she was explaining what writing a song meant to her, her method, and, how.  -- I had to stop it.

I was simultaneously polling myself, and thinking of what you and I had discussed, as well as other conversations you have had on interviews regarding your various methods on different songs by album and era...

I won't speak for you, in this regard or any other, but as I took stock of my own mentality, I just felt so unlike Feldman...

I wrote the bulk of my lyrics prior to, 'Perfect 10', intellectually, trying to distill the essence of my thought(s) into as few words as possible.  With skill, I learnt to arrange them more syllabically-consonant, in a rolling structure, and tried not to be too clever a rhyme, but -- as you know -- didn't always stop myself.  Then, with, 10, I just relaxed my brain after the hard day I'd had and let the images tumble out.

It has made all the difference.

So, once again, my Love, I have you to thank for inspiring me to evolve.

❤K

[Pop]

💖

'EBW2RTW'

(C) 2026 Kyrinn S. Eis All Rights Reserved Worldwide

[Chords]

All my love,

Direct Impact

(C) 2026 Kyrinn S. Eis All Rights Reserved Worldwide

Love,

I can only imagine the sense of sudden exposure, and honour what I sense is your request for a respite from the spotlight, my Love.  Please know that I thought the need for solidarity with your plight necessitated action after what I had perceived in your message.  -- Controlling the agency of any revelations permits you the retention of narrative-control.  A right of yours in which I stand stalwart defence of you and your overall wellbeing.  I rarely act precipitously; please favour the thought I acted with both love and urgency for your sake.

Yours,
Kyrinn

[Gymnopédie-informed]

❤ Marissa

#{Ladder of Air in 4/4

(C) 2026 Kyrinn S. Eis All Rights Reserved Worldwide

[What the [#] is all about]

OK.  Let me put it  this way:

I saw two excerpts from Portland.

Marissa:

I have understood your plight from the moment I met him, and the peril you face has only crystalised since then into the portrait which is apparent by the threats he has made.

Milky: Better men have tried...  What is so disturbing about you is what a coward you are.  Come back to Boston and take it out on me, not her.

Sweetheart, stay strong and realise that no matter what he says, or could air in public, it really isn't so terrible in the 21st century, and that this girl loves you so deeply, that I would support us anyway I could, and there's a lot of tricks in this bag of mine.

Your willingness to stay with him under duress is what gives him power.

Listen especially to this part: 1). You are not alone; and, 2). People with reach are watching and ready to help in ways you cannot conceive -- one does not make contacts in the upper echelons of public service without meeting some very spooky people.  Think about where I was planning on going and what it was I was planning on doing; the types of clearances needed, and the sorts of investigations I underwent to get as far in the process as I had.  And, although my U.S. allies are loath to have me mention this, he, and you, and I are not unknown by the Mossad.

So, let that sink-in.

I am still exactly where I am, in Roxbury-Crossing.

Come to me,

Deeply and Fully in love with you,

-Kyrinn S. Eis

[Humour]

Oh, while standing my post, I had time to work on a joke:

Q: When the Atheist refuted an afterlife, how did the Ghost respond?

A: It raised its hands and said, "This is Boo-Sheet!"

Thanks.

-- I'll be here all week...